Mistakes I have made- An Illumination – troubles and all– from start to finish

I have been working on a large calligraphy piece for the past several months. The process has been a rocky road with more trouble than usual. The size of the project seemed to magnify the mistakes and deepen my frustration. Let me take you on a journey of through a lot of calligraphy mistakes. I hope it inspires you to persevere when a project of yours starts to “go south.”

I began painting this piece before Christmas and was quite pleased with my effort until I laid it out to photograph it. ARHGH! In all the weeks of work I had not noticed that the band of design on the left is tilted—crooked.

first version of behold
My first try – so much work- such big mistakes! ARGH!!

The plan for framing it for sale was out. The crookedness would be so obvious that there was no way I could retrieve it. I laid it aside to enjoy the whirl of the holiday seasons with some lessons learned.

Lesson 1: Check and double check initial drawing for accuracy before adding any permanent medium.

Lesson 2: Breathe. Back away slowly.

January rolled around and I was ready to tackle a new version. This time I decided to use a darker paper. This would need a white transfer paper, I thought, to put the cartoon down for inking.

I placed and taped down the drawing which was a mish-mash on the tracing paper and grid paper I had used before. I was careful to be sure they were “square with the world” this time and so spent a few hours transferring the drawing.

taped down to trace

To transfer the drawing down I used a red ink fine-line G-Tec-C4  pen 0.4MM   https://www.amazon.com/Pilot-G-Tec-C4-Assorted-Colors-Rollerball   to assure a clear, even line on the dark paper and a colored line I could see on the cartoon as I made the tracing.

g-tec pens

When I removed the tracing papers and transfer paper, I was pleased that I could easily see the white drawing all ready for my ink outline. “Onward!!”

I took out my favorite waterproof fine-line pen- Faber-Castell Pitt pigmented drawing ink pen (available in various widths) https://www.amazon.com/Pigmented-Drawing-Artist-Widths-Castell/ and started on the inking.

pitt pens

The process wasn’t smooth sailing because the ink did not like the waxiness of the white transfer lines. Grrrr. >:{  I had failed to test that aspect before beginning the tracing process. But undeterred, I kept inking. But then, as I began my way up the left band (oh! That left band!!) I realized I had a HUGE problem. During the tracing process, the drawings had shifted nearly a quarter inch. There was no way to bridge the skewed design areas.

bad tracing

I stopped. Nearly cried in frustration. And then followed my advice of Lesson 2. “Breathe!”  And “Back away slowly.”

Lesson 3: see Lesson 1.

A few days later, after a lot of deep breathing and even deeper thinking, I decided to make one large tracing of the pieces I had used before. Then I turned the paper over, used a graphite transfer paper and securely attached that single tracing.

While I was making the single tracing, I did several design changes and most of all made absolutely certain that it was square with the edges. The entire design is inspired by pages from the Book of Kells and several of the Celtic knots are taken from George Bain’s work on historic Celtic designs. I also included some knots I created myself. This knot-making aspect of illuminating is still a “work-in-progress” for me!

I checked and rechecked my drawing. I checked and rechecked my “taping-down” and before I even began I tested the graphite paper to be sure it wouldn’t give me trouble in putting ink over the traced lines. And after all this checking and several hours of tracing, HOORAY!! A tracing ready to ink and then paint!

I paint primarily with gouache watercolor [say: guh-WASH]. It is opaque rather than the transparent watercolor most people associate with watercolor painting. My brushes are small and made of sable- sizes 1, 2 and 3 rounds and a size 00 liner brush. Check this website for this type of tool and supply.  https://www.dickblick.com/

Because gouache paint is opaque the method of application to achieve highlights and shadows is different than working with more familiar transparent watercolor. Gouache requires flat areas of color that hide the paper beneath. Then additional color is added to create 3-dimensonality.

highlighting in gouache
Left to right: 1: a flat area 2: shadows added 3: highlights added

I used Fine-Tec metallic watercolor for the final bit of color in the borders and around the versal “B.”

I spent many hours painting while listening to my audio book. It is such a joy to be in my studio- a quiet and happy place!

tracing stuff
tracing down using tracing paper and a G-tec fine line colored pen to see where I’ve been.
gouache and brush
One of my palettes with gouache paints (notice 3 different brands- all good) and types of brushes I use.
a proper tracing
Inking is finished and now for adding color
painting in progress
Color in progress. Notice red area inside the B doesn’t have the white “diapering” design it will have when finished.
final Behold what
Final work. – “square with the world, design problems worked out. Compare with first version which was on lighter paper. The same colors are used in both, but the darker ground makes it seem different. Interesting!

At last, it was done. If you are interested in purchasing this unframed piece, check my store.

What do you think?

Thanks for stopping by and please leave a comment.

Your Life Matters: Lessons from Saint Patrick

I’m a fan of the wonderful spring holiday of St. Patrick’s Day. I’m not Irish, but having corned beef, cabbage and Irish soda bread is a great tradition.  And then there is the tradition a friend of mine and I started years ago of enjoying chocolate in the form of “Black Bottom Cupcakes” on the day.  (See the recipe at the end of this post.) I don’t remember how or why, but having the ritual of chocolate consumption is never a bad thing.  But all that aside, there is a much more serious reason I love this holiday.

St. Patrick—he’s technically not a “capital S” saint since the Roman Catholic Church has never elevated him to that status—wields an amazing influence on us today. Let me explain.

In the early 5th century, Patrick was a young teen living in Scotland northwest of present day Glasgow. He was captured and enslaved by a barbarian Celtic lord. During his six years of captivity he returned to the faith he had abandoned. After escaping, he went back to Scotland and became a cleric. When he was nearly 40, he returned to Ireland.  Palladius, the first missionary to Ireland, had gone in 451 AD. Palladius wasn’t terribly successful in his mission to the pagan Celts in Ireland. Patrick, following about 5 years later however, had strong influence and is largely responsible for establishing the Christian faith on the Emerald Isle and virtually preserving Christianity and the Bible throughout the Western world.

There are many legends surrounding Patrick, but what I think is most important is that because he was faithful in sharing the Gospel of Jesus and working to teach and nurture Christian faith among the Irish we have Bibles in our hands today.  I can hear you exclaim, “What?!” Hear me out.

Ireland became and still is the home of many medieval monasteries. There in many of them, the Scriptures were carefully copied by hand by monks laboring quietly in Scriptoriums. These isolated places were first established in the 5th century about the time Patrick was working to share the Gospel.  Hear what “Ask About Ireland”-  a website shares in explaining this to school children:

 

The first monasteries were usually built in isolated places like Glendalough in Co. Wicklow or on islands such as Skellig Michael off the coast of Co. Kerry.   Some monasteries were also built near the forts of important kings like the monastery of Clonard in Co. Meath. The monks chose these isolated places because it allowed them to pray and work without distraction.

As well as praying and fasting, some monks spent their lives making beautiful copies of the Bible. The Book of Kells, written in the ninth century, about 800 AD, is a famous example of this. It was named after a town called Kells in Co. Meath where it was once kept. This book can now be seen in Trinity College, Dublin. Another famous book which was written by monks in Ireland is the Book of Durrow.

http://www.askaboutireland.ie/learning-zone/primary-students/subjects/history/history-the-full-story/early-christian-ireland/monasteries/

 

These manuscripts of the Bible were God’s way of preserving and extending the spread of His Word. There were no printing presses for nearly a thousand years yet and Europe was deep in what has been called the Dark Ages. While the rest of Europe was experiencing a time of illiteracy, superstition, cultural and intellectual darkness, these monks were laboriously and scrupulously copying God’s Word. Their work preserved the Scriptures which otherwise would have completely disappeared.

How amazing that the quiet life of Patrick and these unknown men faithfully following their calling have given us the unspeakable privilege of having the Bible in our hands today!

So, thinking of my life, my skills, my “calling” makes me reflect on our Faithful God who uses the most obscure and interesting ways of accomplishing His work. So I ask myself, “Have I been a faithful parent, teaching my children and grandchildren to love Jesus and His Word?  Have I used the opportunities that come because of my daily life to tell others of Jesus? Have I worked to build up and encourage others in their faith? How is God using me and my plain, obscure life to accomplish His Plan?”

Question:

What is your calling? Are you being faithful to it? Do you know that you will have an influence for generations to come if you are faithful?

And here is the promised recipe:

Black Bottom Cupcakes

Mix the following and set aside.

1 — 8 oz. package of cream cheese, softened

1/3 C. sugar

1 egg

6 oz. (½ C.) chocolate chips

Make the cake batter as follows.

1 ½ C. flour

1 C. sugar

¼ C. baking cocoa

1 tsp. baking soda

½ tsp. salt

1 C. water

5 Tbsp. vegetable oil

1 Tbsp. vinegar

1 tsp. vanilla

Preheat oven to 350°. Stir dry in ingredients together. Mix liquids and combine with dry gradually. Spoon into 18 paper-lined muffin cups (Be sure to make 18!!)  Top with cream cheese mixture. Bake for 25 minutes until toothpick put into cake comes out dry.